Bong Joon-ho’s Parasite is a revelation in black and white

A new monochrome edition of the film reveals an even deeper level of storytelling craft — and raises the question (again) of how the awards season overlooked these performances

Parasite in color is an undeniably great film, but I have to admit that after my first viewing, some months ago, I found myself admiring it more than enthralled. The performances, the puzzle-tight structure of the narrative, and production design were awe-inspiring, but it also felt a bit too chilly to engage with on an emotional level. It was a bit like admiring an elaborate gallery installation; there was an awesome level of craft and storytelling on display, but it was perhaps too much to absorb.

But it kept me thinking. As time passed, I found myself admiring it more and more. I even found myself in a heated Facebook exchange over its merits and managed to extract myself before the unfriending began. Still, I approached the newly released black and white edition with mixed feelings. My desire to see it was at a nearly fan-boy level, but I also wondered if I was buying into the hype. I also wondered if I would even manage to stay awake for the late screening.